Memory and Meaning 2009
Re-working pre-existing photography from WWII and the Holocaust is the basis for examining the connection between memory, meaning, and visual discovery.Shown as part of a solo show "Camera Obscured" at Springfield, MFA 2009/10. Memory and Meaning:
Non camera based photography.Manipulated appropriated photographic imagery in a traditional darkroom
This work, no doubt, carries with it uncomfortable elements. In reusing existing historical imagery from WWII, in particular the Holocaust, memories, feelings, and history share the surface and content of these manipulated photographic works. Reviewing, exploring, and interacting with this imagery is a personal attempt to understand the mechanisms and scope of these tragedies. In doing so, I have been forced to reconsider my perceptions of history, identity, and memory.
While the past shapes the present, the present can determine how the past is viewed. Inherent in the photographic process of this series of works is the back and forth between determining the contents of the image, shadows and light, abstraction and figuration, clarity and obscurity, completion and fragmentation. My photographic working methods are analogous to my understanding and interpretation of history.